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              <text>Re-electionist Gov. Defensor picks Debuque as running mate&#13;
By Ime Sornito -Tuesday, October 1, 2024&#13;
“We chose Mayor Lee Ann Debuque (as running mate) because she is intelligent, dynamic, competitive, and hardworking. She is one of the mayors who frequently visit my office to follow up and work on matters. We appreciate her attitude, and her municipal government’s competitiveness,” says Iloilo’s Gov. Arthur Defensor Jr.&#13;
“We chose Mayor Lee Ann Debuque (as running mate) because she is intelligent, dynamic, competitive, and hardworking. She is one of the mayors who frequently visit my office to follow up and work on matters. We appreciate her attitude, and her municipal government’s competitiveness,” says Iloilo’s Gov. Arthur Defensor Jr.&#13;
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ILOILO – The Defensor-Debuque tandem is set for the upcoming May 2025 national and local elections. Gov. Arthur Defensor Jr. formally announced on Monday, Sept. 30, that Anilao’s Mayor Nathalie Ann “Lee Ann” Debuque is his running mate for vice governor.&#13;
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Before making the announcement, Governor Defensor administered the oath of Debuque as a member of the Partido Federal ng Pilipinas (PFP), having recently left the Nacionalista Party.&#13;
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“She will be the administration’s candidate for vice governor of Iloilo under the party of President Ferdinand ‘Bongbong’ Marcos Jr.,” said Defensor.&#13;
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The governor expressed enthusiasm for Debuque joining his ticket, highlighting her alignment with his administration’s MoRProGRes Iloilo (Movement for a Robust, Progressive, Globally Competitive, and Resilient Province of Iloilo), which aims to drive the province’s development.&#13;
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Defensor also noted her fit with the Marcos administration’s “Bagong Pilipinas” initiative.&#13;
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“We chose Mayor Lee Ann because she is intelligent, dynamic, competitive, and hardworking. She is one of the mayors who frequently visit my office to follow up and work on matters. We appreciate her attitude, and her municipal government’s competitiveness,” Defensor explained when asked why he selected Debuque as his running mate.&#13;
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Defensor emphasized that Debuque shares the same competitive spirit as the provincial government and the people of Iloilo in striving for the highest levels of recognition and achievement.&#13;
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He credited her leadership for the significant improvements in Anilao during her term as mayor.&#13;
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In her acceptance speech, Debuque thanked Defensor for selecting her as his running mate.&#13;
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“I am deeply grateful to Governor Toto for choosing me and placing his trust in me as his candidate for vice governor of Iloilo. I have high regard for the Iloilo provincial government, his leadership, and its employees,” she said.&#13;
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Debuque also drew inspiration from Iloilo’s six-time Seal of Good Local Governance (SGLG) award, which motivated her to lead Anilao in earning five SGLG awards through transparent and honest governance.&#13;
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While acknowledging the challenge ahead, Debuque expressed confidence, bolstered by the support of 4th District’s Cong. Ferjenel Biron and her mother, Anilao vice mayor Matet Debuque. She believes her skills and abilities will enable her to serve effectively as vice governor.&#13;
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“I’m still young in politics, but I have proven my capacity to my constituents. You can count on me to fulfil my duties and bring pride to the people of Iloilo. Governor Defensor’s wisdom and experience, combined with my energy and dynamism, will create a strong partnership for a more progressive Iloilo. I will stand firm in this responsibility and will not let Governor Defensor or the province down,” Debuque added.&#13;
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Addressing the possibility of facing 5th District’s Cong. Raul Tupas in the race for vice governor, Debuque expressed respect for Tupas and acknowledged the longstanding friendship between their families. However, she hopes that if Tupas does decide to run, he will give her a chance to serve Iloilo. Should Tupas pursue his candidacy, Debuque stated she is prepared to compete.&#13;
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“I’m fully committed to this race, and with the trust of Governor Defensor and Congressman Biron, I will not let them down. I want to show the people of Iloilo that I will be an asset to the province,” she said.&#13;
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Congressman Biron, expressing support for Debuque, described her as a fresh breeze for the leadership of the Sangguniang Panlalawigan (SP).&#13;
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“I am very confident, Governor Toto, that your vice governor candidate is not only smart and competent but, above all, dedicated,” Biron said.&#13;
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Biron pledged full support from the 4th District for the Defensor-Debuque tandem, committing to their victory in the upcoming elections.&#13;
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“The 4th District will give 100 percent support to this tandem. We will ensure that Governor Toto’s vice governor candidate wins,” Biron affirmed./PN&#13;
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              <text>Sornito, I. (2024, October 1). Re-electionist Gov. Defensor picks Debuque as running mate. Panay News, 2&amp;15.</text>
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                <text>ILOILO – The Defensor-Debuque tandem is set for the upcoming May 2025 national and local elections. Gov. Arthur Defensor Jr. formally announced on Monday, Sept. 30, that Anilao’s Mayor Nathalie Ann “Lee Ann” Debuque is his running mate for vice governor.</text>
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                <text>&lt;a href="https://www.panaynews.net/re-electionist-gov-defensor-picks-debuque-as-running-mate/" target="_blank" rel="noreferrer noopener"&gt;Panay News&lt;/a&gt;</text>
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              <text>FINALLY, AFTER 10 YEARS Rehab of super typhoon-hit fish port finally complete&#13;
By Ime Sornito -Friday, September 27, 2024&#13;
In November 2013, Super Typhoon Yolanda destroyed the fish port of Concepcion, Iloilo. Now completely rehabilitated after almost a decade, it is expected to benefit local fishermen and boost the town’s economy. CAPITOL PHOTO&#13;
In November 2013, Super Typhoon Yolanda destroyed the fish port of Concepcion, Iloilo. Now completely rehabilitated after almost a decade, it is expected to benefit local fishermen and boost the town’s economy. CAPITOL PHOTO&#13;
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ILOILO – The local fishing community in Concepcion town got a significant boost with the recent inauguration of the Northern Iloilo Fishery Rehabilitation and Development Project (NI-FRDP).&#13;
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Funded through a Korea International Cooperation Agency (KOICA) grant amounting to $7.48 million, the project involved the restoration and modernization of the Concepcion Fish Port, which was destroyed by Typhoon Yolanda in 2013.&#13;
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The new and improved facility includes an elevated platform, upgraded drainage systems, a larger parking area, and energy-efficient lighting, all aimed at benefiting local fishermen and boosting the town’s economy.&#13;
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The project’s goals include improving access to basic services for fishing communities in Concepcion and nearby islands, increasing the resilience of the fish port to climate-related disasters, and promoting sustainable fishery development through capacity-building programs for local stakeholders.&#13;
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The inauguration ceremony, held on the morning of September 24, was led by KOICA Country Director Kim Eunsab, Gov. Arthur Defensor Jr., Concepcion mayor Millard Villanueva, Provincial Administrator Raul Banias, as well as provincial and municipal officials.&#13;
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Representatives from national government agencies and academic institutions also attended the event.&#13;
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“This is a big help for us fisherfolk, especially those with larger fishing vessels who had difficulty docking at the old port,” said Olivia Pansensoy, president of the Tambaliza Small Fishermen’s Association (TASFA) Banban Chapter.&#13;
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She emphasized how the upgraded port eases congestion and extends business hours, ultimately benefiting both consumers and fisherfolk.&#13;
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The enhanced facilities are expected to raise productivity and income for local fishing households and entrepreneurs, extending economic benefits to Concepcion and neighboring towns.&#13;
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Mayor Villanueva expressed optimism about the project’s long-term impact, calling the fish port “a beacon of hope signaling the continuous recovery and empowerment of our fishing community.”&#13;
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He also expressed hope for the swift implementation of the project’s second phase, which aims to expand the docks and introduce a tourism component to leverage Iloilo’s growing tourism industry.&#13;
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Focus on Sustainability and Resilience&#13;
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Beyond its economic benefits, the project also prioritizes sustainability. The upgraded fish port is built to withstand future natural disasters, securing the long-term future of Northern Iloilo’s fisheries. The capacity-building programs integrated into the project aim to promote sustainable fishing practices and enhance community engagement.&#13;
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Governor Defensor highlighted the importance of the Visayan Sea in sustaining the local economy and tourism.&#13;
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“There can be no fishport without the fish,” Defensor said, stressing the need for effective marine resource management to ensure the preservation of this vital natural asset.&#13;
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The inauguration of the NI-FRDP also highlights the strong diplomatic ties between the Philippines and South Korea, which have spanned 75 years.&#13;
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KOICA’s 30-year presence in the Philippines has seen numerous development initiatives, including fisheries and rural development projects. KOICA Country Director Kim Eunsab reiterated the agency’s commitment to supporting such efforts, stating that this project is “an occasion to intensify our assistance to the Philippines.” (With a report from Capitol News)/PN&#13;
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              <text>Sornito, I. (2024, September 27). FINALLY, AFTER 10 YEARS Rehab of super typhoon-hit fish port finally complete. Panay News, 3&amp;15.</text>
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                <text>ILOILO – The local fishing community in Concepcion town got a significant boost with the recent inauguration of the Northern Iloilo Fishery Rehabilitation and Development Project (NI-FRDP).&#13;
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              <text>Tumandok’s September 19 showing at Robinsons Jaro Cinema was more than just a showcase for the multi-awarded movie; it was an intensely moving and thought-provoking event. Along with several well-known like-minded collectives, my daughter Parvane and I could not help but cry throughout the film. It became impossible to look away from the screen as we witnessed the moving and moving portrayal of the Ati community’s fight to reclaim their ancestral land and not feel sympathy for the Indigenous Peoples (IPs). Their dreams, their resiliency, and their lives were all on display, requiring our emotional support as well as our attention.&#13;
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The distinctive docu-fiction picture Tumandok, which was directed by Ilonggos Richard Jeroui Salvadico and Arlie Sweet Sumagaysay, pushes the boundaries of storytelling to fully immerse the viewer in the horrific realities of the Ati people’s struggle for their homeland in Sitio Kabarangkalan, Barotac, Viejo, Iloilo. With good reason, the movie has won multiple accolades and awards, including the coveted Balanghai trophy for Best Film, Network for the Promotion of Asia Pacific Cinema (PATPAC) Jury Award, Best Supporting Actor, Best Screenplay, and Best Original Musical Score at the Cinemalaya Philippine Independent Film Festival this year. It approaches the Ati, a marginalized group in society, with compassion, understanding, and a deep sense of duty.&#13;
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Arden Rod Condez and Sumagaysay co-wrote the movie, which honors the tenacity of the Ati people. It chronicles the journey of Jenaica “En” Sangher, an Ati chieftain’s 16-year-old daughter, as she works through a convoluted bureaucratic system to obtain their land’s Certificate of Ancestral Domain Title (CADT). En’s tale is of perseverance and frustration as she battles against forces far stronger and more expansive than herself. En’s confession to her father that she wants to become a teacher and start a school in their village is one of the most moving scenes in the movie. She says, “I didn’t know that we can also dream like other kids,” a statement that echoes throughout the theater and highlights the severe injustices that the “tumandoks” must endure.&#13;
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Following the screening, the moving speech given by organizer Rynshien Joy Olivete, the Managing Director of DAKILA Iloilo Collective, elevated the evening to a truly memorable experience. As she spoke, Ryn’s voice quivered with emotion, her tears expressing the anguish and hope the movie had instilled in all of us. Her remarks affirmed the significance of the indigenous struggle and provided commentary on the film. She asked, “What if things were different?” – a bold question the movie encourages viewers to consider. She urged the audience to consider the possibilities of a more just and equitable world in her speech, which was undoubtedly the most inspirational and poignant part of the evening.&#13;
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Many of us in the movie theater found resonance in Ryn’s remarks. The movie’s portrayal of institutionalized violence, corruption, and neglect struck a chord with how we see the country’s political dynamics. Human rights have gotten a lot worse in the last few years because of authoritarian and populist governance that has taken away civil liberties and made social gaps bigger. Tumandok shows this broader picture and reminds us that the fight for social justice is not just about Ati’s land claim but also part of the larger national fight for human rights and dignity.&#13;
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The most potent lines in the movie are, “Tell us where the end of the earth is, and we will go there to live in peace, untouched. But we still fear that even the end of the earth will one day be taken from us,” “Our land is our life; take it, and you take our soul,” and “We were here before you arrived, and we will be here long after you’re gone” express the desperate desire of IPs to live their lives without the constant fear of being uprooted. These lines, which speak to the universal need for identity, safety, security, refuge, and belonging, resonate beyond the movie’s confines. The plight of many IPs worldwide is reflected in the struggles of our very own Atis, battling the effects of urbanization, corporate greed, and political agendas that put profit ahead of people.&#13;
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Not only was Tumandok block-screening a remarkable experience, but it was also noteworthy because of the post-screening conversation with the actors, directors, and staff. The audience had the opportunity to interact directly with the artistic and heroic individuals who brought this moving story to life through the panel discussion. Numerous members of the cast, who are all amateur actors from the Ati community, talked about their own raw experiences with prejudice, bereavement, and hope. Their words, delivered through tears as they discussed the injustices and frustrations they encountered, could not fail to move listeners. The conversation served as a helpful reminder that these are lived, well-researched realities, not just stories from the movies.&#13;
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The night was especially emotional for many of us who had campaigned for transformational governance in the last elections. We felt a common grief and solidarity seated among familiar faces. The suffering of the Ati people struck a chord with us. It served as a constant reminder of the various ways that vulnerable communities are still marginalized by systemic inequality and electoral populism. It was evident that many people in the audience shared Ryn’s sentiments after seeing the movie and hearing her speech, which reinforced the significance of supporting those who are frequently silenced. We could sense the collective weight of the struggle as the film’s creators and cast related their personal stories, many bursting into tears. Tumandok evokes various complex emotions, and the cinema was filled with sorrow and hope.&#13;
&#13;
The success of Tumandok stands as a testament to the strength of the entire Ati community’s cause. Much like the film’s production, which required the close collaboration and consent of the Ati people, the creation of Tumandok was a collective effort to amplify their voices and elevate their story. As Ryn powerfully expressed in her speech, sharing these narratives is, in itself, an act of resistance. While the film centers on the specific struggles of the Ati, its storyline highlights the broader issues of IP rights. Indigenous communities often face alarmingly high rates of unemployment, underemployment, and illiteracy, with their socio-economic, cultural, and spiritual lives deeply intertwined with their ancestral lands—lands that are continually shrinking and dismissed by those in power. Hence, Tumandok does more than tell a story; its creators have sparked a much-needed dialogue about justice, equity, and the possibility of a more inclusive future, urging us to reconsider the treatment of IP communities here and abroad.&#13;
&#13;
The sense of community in the room was tangible as the credits rolled and the lights came back on. Several movie viewers stayed for the panel discussion because they were curious to find out more and to give it some thought. Tumandok struck a chord with everyone in attendance, not just those of us who were aware of the struggles faced by the IPs. Like Ryn’s speech, the movie left us with more questions than answers. These included questions about what it would take to change the status quo, the nature of justice, and our part in sustaining inequality.&#13;
&#13;
One of the evening’s most important lessons was the reminder that there is still much work to be done in the struggle for the rights of IPs. Tumandok portrays the Ati’s continuous struggle, and it is a call to action for all of us to keep up our support of their cause. We must continue to be watchful and dedicated to envisioning a world where justice and equality are not just ideals but realities, as Ryn so eloquently said. It served as a fitting coda to an evening full of grief and hope, as a reminder that even though the road to justice may be long and arduous, we must keep going down it.&#13;
&#13;
There is only one more chance to see Tumandok, a moving movie, and participate in the thought-provoking discussions it provokes on October 4 and 5 at the Cinematheque Center Iloilo. It is also available in many other select theaters all over the country. If you have not seen it yet, I recommend going so you can take part in a more significant movement for justice and equity rather than just watching a movie. As we left the theater that evening, still absorbing the emotional journey of Tumandok, one thing became undeniable: this film transcends artistry. It stands as a testament to the resilience of the human spirit and serves as a powerful call to action. It reminds us that by uniting in empathy and purpose, we can not only imagine a better world but also take the steps to create it.&#13;
&#13;
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                <text>Tumandok’s September 19 showing at Robinsons Jaro Cinema was more than just a showcase for the multi-awarded movie; it was an intensely moving and thought-provoking event. Along with several well-known like-minded collectives, my daughter Parvane and I could not help but cry throughout the film. It became impossible to look away from the screen as we witnessed the moving and moving portrayal of the Ati community’s fight to reclaim their ancestral land and not feel sympathy for the Indigenous Peoples (IPs). Their dreams, their resiliency, and their lives were all on display, requiring our emotional support as well as our attention.</text>
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                <text>&lt;a href="https://dailyguardian.com.ph/the-cry-of-tumandok/" target="_blank" rel="noreferrer noopener"&gt;Daily Guardian&lt;/a&gt;</text>
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              <text>For centuries, hand-loom weaving has been a vital part of Iloilo’s cultural heritage, passed down through generations and showcasing the creativity and skill of talented artisans.&#13;
&#13;
The hand-loom weaving industry has played a significant role in Iloilo’s economy, especially in the late 18th century, when woven textiles were highly valued trade items. The industry has provided employment to many skilled weavers, especially women in remote barangays who continue their ancestral legacy. Commercial production of hand-woven textiles remains an important contributor to the Ilonggo economy.&#13;
&#13;
By the late 1980s to mid-1990s, traditional weaving skills faced the threat of extinction in several communities across Iloilo. In response, a growing movement sought to revive hand-loom weaving as a sustainable, eco-friendly alternative to mass-produced textiles. Early efforts, supported by the Department of Trade and Industry (DTI), focused on helping weavers regain traditional skills, adopt natural dyes, and secure looms and fibers.&#13;
&#13;
Today, the hand-loom weaving industry not only preserves traditional techniques but also promotes fair trade and ethical practices. By choosing hand-loomed products, consumers help preserve this craft and support the livelihoods of local artisans.&#13;
&#13;
In the towns of Oton, Tigbauan, Igbaras, Miagao, Badiangan, Janiuay, and Dueñas, loom weaving is a thriving home-based industry, contributing significantly to local economies and family incomes. To safeguard this cultural heritage, the Iloilo Provincial Government, through the Provincial Culture, Arts, History, and Tourism Office, has taken steps to promote and preserve the craft, most notably through the annual Indigenous Fiber Fashion Fair.&#13;
&#13;
Established in 2008 in partnership with SM City Iloilo, the Indigenous Fiber Fashion Fair features exhibits, demonstrations, and fashion shows that highlight the local weaving industry. In 2015, the event evolved into a collaboration with ISAT-University’s Fashion Design and Merchandising program, providing a platform for emerging designers. Many of these designers have gone on to gain recognition in Iloilo and across the country.&#13;
&#13;
This year, six emerging fashion designers are poised to take the stage: John Patrick Tajo, Jeraldine Nofre, Donato Peniero, Wendy Tanaleon, Kim Ivan Delgra, and Jerico Labata. These student designers focus on reinterpreting Ilonggo artistry and craftsmanship, using locally hand-woven fabrics produced specifically for their brands by a small community of artisan weavers. Their devotion to local handcraft traditions promises to make their designs among the most distinctive in the industry.&#13;
&#13;
Fashion shows featuring these designers will be held at 6 p.m. at SM City Iloilo’s Lower Ground Floor, Entrance 4 Hallway (fronting BDO). Designers Jeff Ticao and Otet Patrimonio will present on September 27, followed by John Montinola and Jun-g Candelario on September 28. The finale on September 29 will feature the Lin-ay Sang Iloilo candidates.&#13;
&#13;
The 17th Indigenous Fiber Fashion Fair is part of Iloilo Provincial Government’s Tourism Month celebration, alongside AgriByahe and Bugana, running from September 26 to 30, 2024. The event is co-presented by SM City Iloilo and supported by ISAT-U’s Fashion Design and Merchandising students, IGUIDES, John Montinola, Iloilo Models Guild, and Daily Guardian.</text>
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              <text>ILOILO RICE BOOM ON THE HORIZON; Early mega dam operation promises gains for farmers&#13;
By Ime Sornito -Thursday, September 26, 2024&#13;
The Jalaur High Dam has so far impounded 202 million cubic meters of water out of its 250-million-cubic-meter capacity, reaching an elevation of 184 meters above sea level as of Sunday, Sept. 22, 2024. NIA JALAUR RIVER MULTI-PURPOSE PROJECT STAGE II FACEBOOK PHOTO&#13;
The Jalaur High Dam has so far impounded 202 million cubic meters of water out of its 250-million-cubic-meter capacity, reaching an elevation of 184 meters above sea level as of Sunday, Sept. 22, 2024. NIA JALAUR RIVER MULTI-PURPOSE PROJECT STAGE II FACEBOOK PHOTO&#13;
&#13;
ILOILO – The National Irrigation Administration (NIA) Region 6 is optimistic that the Jalaur River Multi-Purpose Project Stage II (JRMP II) could begin “partial operation or initial operation” in some areas of Calinog town before the last quarter of 2025.&#13;
&#13;
&#13;
The full operation by 2025 is expected to boost Iloilo’s annual rice production from 197,545 metric tons to 338,874 metric tons. The mega dam will provide year-round irrigation to approximately 31,840 hectares of farmland, benefiting 25,000 farmers.&#13;
&#13;
Recent weather disturbances have positively impacted the project timeline, according to NIA-6 under acting regional manager Engr. Jonel Borres. Due to heavy rains, water impoundment at the 109-meter Jalaur High Dam in Barangay Alcalaga, Calinog has accelerated.&#13;
&#13;
The Jalaur High Dam, the largest component of JRMP II, has so far impounded 202 million cubic meters of water out of its 250-million-cubic-meter capacity, reaching an elevation of 184 meters above sea level as of Sunday, September 22.&#13;
&#13;
“So we are just short of around 48 million cubic meters,” said Steve Cordero, JRMP II watershed management chief and spokesperson, in an interview with Panay News.&#13;
&#13;
Water impoundment at the Jalaur High Dam began on May 8, 2024, just over four months ago.&#13;
&#13;
Initially, NIA-6 had projected a 12-month period to fill the dam, but it is nearing full capacity in less than five months.&#13;
&#13;
If weather disturbances and heavy rainfall continue towards the end of the year, the dam could reach its maximum water capacity before 2025, said Cordero.&#13;
&#13;
Early water storage would enable faster delivery of irrigation services once other project components, such as the irrigation systems, are completed.&#13;
&#13;
“The more water we store, the better prepared we are to provide irrigation services as soon as other components of the project are finished,” Cordero added.&#13;
&#13;
The water impoundment has also had a positive impact on residents upstream of Calinog, as the dam helps mitigate potential flooding by preventing excessive water flow downstream.&#13;
&#13;
Without the dam, the water could have caused floods or flowed directly to the sea without being utilized.&#13;
&#13;
Cordero reassured Calinog residents that there is no risk of an abrupt release of water from the Jalaur High Dam, as the gates at the lower portion are continuously open to manage the water level gradually.&#13;
&#13;
Once the dam reaches its maximum capacity, an upper spillway will automatically release excess water, preventing any risk of flooding.&#13;
&#13;
“There will be no abrupt water release. As the water level rises, it will naturally spill out, ensuring no flash floods occur,” Cordero said.&#13;
&#13;
In addition to the Jalaur High Dam, other major components of JRMP II include the Afterbay Dam, Alibunan Catch Bay Dam, and an 80.74-kilometer high-line canal.&#13;
&#13;
As of August 2024, the JRMP II is 76.20 percent complete, with remaining works focusing on the installation of electromechanical components for the three major dams and the ongoing construction of the high-line canal, which is 60 to 65 percent finished.&#13;
&#13;
Cordero emphasized that they are expediting the construction of the high-line canal, including its main and lateral sections, to ensure the JRMP II is fully operational by the end of 2025./PN&#13;
&#13;
&#13;
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                <text>ILOILO – The National Irrigation Administration (NIA) Region 6 is optimistic that the Jalaur River Multi-Purpose Project Stage II (JRMP II) could begin “partial operation or initial operation” in some areas of Calinog town before the last quarter of 2025.</text>
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              <text>COC filing for Iloilo city and provincial gov’t to take place at Festive Walk&#13;
By Ime Sornito -Wednesday, September 25, 2024&#13;
SAYNO&#13;
SAYNO&#13;
&#13;
ILOILO City – Unlike previous elections when the filing of certificates of candidacy (COC) for both Iloilo city and provincial government aspiring candidates was held at their respective election offices, the Commission on Elections (Comelec) has decided to move the filing venue for the upcoming May 9, 2025 national and local elections to a more spacious and comfortable location.&#13;
&#13;
Jonathan Sayno, Election Assistant II of Comelec in Iloilo City, confirmed that the COC filing will be conducted at Festive Walk in Mandurriao district. However, the specific area within the complex has yet to be finalized as discussions are still ongoing.&#13;
&#13;
Sayno clarified that there will be separate venues within Festive Walk for the filing of COCs — one for provincial government candidates and another for city government candidates — though all activities will take place in the same general area.&#13;
&#13;
In previous elections, COC filing for city candidates was held on the second floor of the Iloilo Terminal Market, while provincial candidates submitted their forms at the Provincial Election Office in La Paz district.&#13;
&#13;
The filing period for COCs will be from October 1 to October 8, including weekends, with submission hours running from 8 a.m. to 5 p.m.&#13;
&#13;
Sayno issued several reminders to candidates to ensure a smooth filing process.&#13;
&#13;
Candidates must secure eight copies of the COC form, either by downloading it from the official Comelec website (https://comelec.gov.ph) or by visiting the nearest Comelec office.&#13;
&#13;
Candidates are required to fill in all necessary information on the form, marking “N/A” (Not Applicable) where applicable.&#13;
&#13;
Each form must be signed, affixed with a recent passport-sized photo (taken within the last six months), notarized, and stamped with a documentary stamp.&#13;
&#13;
The first copy must bear the actual documentary stamp, while subsequent copies only need to list the stamp number.&#13;
&#13;
“Candidates should submit a recent photo, not one from years ago, to reflect their current appearance,” Sayno emphasized.&#13;
&#13;
For candidates affiliated with a political party, a notarized Certificate of Nomination and Acceptance (CONA) must also be submitted along with the COC.&#13;
&#13;
Independent candidates, however, are not required to submit a CONA.&#13;
&#13;
Both securing and submitting the COC form are free of charge.&#13;
&#13;
Candidates may designate an authorized representative to submit their COC, but Sayno warned that this comes with a risk.&#13;
&#13;
Sayno explained, “A representative can file the COC as long as they are authorized, but they cannot correct any errors. This could be problematic if the candidate is abroad and unable to make the necessary changes.”&#13;
&#13;
When selecting the name to appear on the official ballot, Sayno said candidates must adhere to the 30-character limit. They can choose to display either their first name or nickname, but the total character count must not exceed 30.&#13;
&#13;
If the candidate’s chosen name exceeds 30 characters, Comelec will decide which name will appear on the ballot, typically the one the candidate is most recognized by.&#13;
&#13;
Double names or nicknames are not allowed.&#13;
&#13;
Additionally, to ensure an orderly filing process, only a maximum of three supporters will be allowed to accompany each candidate. Any additional supporters must remain outside the designated area to avoid crowding and disruptions.&#13;
&#13;
Sayno stressed that the Comelec will strictly enforce this rule to maintain smooth operations during the filing period./PN &#13;
&#13;
&#13;
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              <text>Iloilo prov’l capitol sets half-day work schedule on Sept. 27 for Family Week&#13;
By Ime Sornito -Tuesday, September 24, 2024&#13;
&#13;
ILOILO – The provincial government has announced that working hours at the provincial capitol will be reduced to a half-day on Friday, September 27, in observance of the 32nd National Family Week. This adjustment aims to give employees more time to spend with their families.&#13;
&#13;
During Monday’s morning flag-raising ceremony, September 23, Human Resource Management and Development Office (HRMDO) head Atty. Rene Valencia announced that the office hours will only run until 12 noon on Friday.&#13;
&#13;
This early dismissal is in line with Gov. Arthur Defensor Jr.’s directive to support the annual celebration of Family Week among provincial government employees.&#13;
&#13;
Similarly, Iloilo City’s Mayor Jerry Treñas issued an advisory for the early dismissal of city government employees on Monday, September 23. City personnel were allowed to log out at 3 p.m. to join the Family Week celebration and spend quality time with their loved ones.&#13;
&#13;
However, departments and offices providing essential services, including health, disaster preparedness, and response, are required to maintain operations to ensure continuity of critical services.&#13;
&#13;
This announcement followed the directives from Executive Secretary Lucas Bersamin under Memorandum Circular No. 64, dated September 12, in accordance with Proclamation No. 60 (1992) and Proclamation No. 326 (2012). These proclamations declare the last week of September as Family Week and designate the fourth Monday of September as “Kainang Pamilya Mahalaga” Day, during which government work in the executive branch is suspended starting at 3 p.m.&#13;
&#13;
The National Committee on the Filipino Family encourages active participation from government workers in the various programs and activities scheduled for Family Week. Essential services will remain uninterrupted during this period./PN&#13;
&#13;
&#13;
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6417">
                <text>The Atis of Panay: A glimpse into their indigenous world</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6418">
                <text>Panay Island (Philippines)</text>
              </elementText>
              <elementText elementTextId="6419">
                <text>Indigenous peoples</text>
              </elementText>
              <elementText elementTextId="6420">
                <text>Aeta (Philippine people)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6421">
                <text>Bolante, Jose B. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="6422">
                <text>Office of Muslim Affair and Cultural Communities, National Capital Region</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6423">
                <text>1986</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6424">
                <text>English</text>
              </elementText>
              <elementText elementTextId="6425">
                <text>Ati language</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6426">
                <text>Book</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
