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              <text>Cinemalaya 2024 entry ‘Tumandok’ aims to help Ati community reclaim ancestral lands&#13;
&#13;
MANILA, Philippines — Through the Cinemalaya Philippine Independent Film Festival 2024 entry “Tumandok,” directors Richard Jeroui Salvadico and Arlie Sweet Sumagaysay are hoping to help the Ati community in Iloilo province in securing their Certificate of Ancestral Domain Title (CADT).&#13;
&#13;
The 88-minute documentary-fiction reveals the struggles of Ati people in Sitio Karabangkalan in Barotac Viejo, Iloilo in reclaiming their ancestral lands.&#13;
&#13;
Featuring an all-Ati non-professional acting ensemble, speaking in their own language Inati, “Tumandok” seeks to support the community in securing their ancestral domain through screening proceeds.&#13;
&#13;
“Aside from starting to believe that not every lowlander has ill intentions for them, I think through ‘Tumandok,’ the community, and their concerns are now starting to get noticed. When we went to NCIP (National Commission for Indigenous Peoples), they were told that in 2025 they might be one of the few communities that will be considered for funding,” Sumagaysay shared to The STAR in an e-mail interview.&#13;
&#13;
Apart from telling the story of the Ati community in Sitio Karabangkalan in Barotac Viejo, Iloilo, the Cinemalaya 2024 entry ‘Tumandok’ also aims to help them secure their ancestral lands titles through screening proceeds.&#13;
But it will still take time, she acknowledged. “Along with the pre-production, we have also successfully aided the community in processing their papers as an association, processing the official chieftainship of their chieftain, and aiding their application for their community-based forest management under DENR (Department of Environment and Natural Resources).&#13;
&#13;
“We hope that through the donations and the percentage that they will get from the profit of the film, they will be able to process their CADT and make a road for the community so they won’t have to pass by private lands just to reach the town.”&#13;
&#13;
“Tumandok” was inspired by the life story of En-en, the daughter of the chieftain who does the task of processing their Certificate of Ancestral Domain Claim (CADC). While writing the script and doing the field work, the filmmakers encountered other stories of struggles from different Ati communities in the region. So with the guidance of filmmaker Arden Rod Condez (one of the executive producers), they decided to incorporate the accounts of other Ati communities in the film.&#13;
&#13;
They have been working with and immersing in different Ati communities since 2017 and the story of En-en stood out while they were doing cultural mapping in 2019.&#13;
&#13;
“We also went to NCIP to straighten our facts and there, we discovered that the tribe needed P500, 000 to P1 million to fast-track the processing of their CADT. We aren’t millionaires nor do we have the right connections to make such an amount. So, we decided to use our privilege to be able to make films for a higher purpose and use the power of cinema and Cinemalaya to reach out to potential sponsors and to shed light on the stories of the community.”&#13;
&#13;
Sumagaysay reiterated that apart from telling the battles of the indigenous people, they likewise aim to help them secure their CADT. “We hope viewers see that the story of the community is not just a narrative of the past but a living, breathing testament to the ongoing battle for justice and recognition,” she asserted.&#13;
&#13;
“Showcasing the real stories and struggles of the Ati community can make people see the reality of the Ati community and their strength and perseverance despite the challenges that they are facing. We hope people will appreciate them more as individuals and as a people. But more than their resilience, we need to SEE the NEED for us to help them.”&#13;
&#13;
Salvadico and Sumagaysay felt honored to be debuting their full-length film at the 20th edition of Cinemalaya.&#13;
&#13;
The Iloilo-based directors previously helmed the short films “Dribol,” “Chok,” “Gulut-anon nga Dulut,” and “Utwas,” which gained recognition in various local film festivals.&#13;
&#13;
In 2022, their short film “Mga Handum nga Nasulat sa Baras” earned the Audience Choice Award at Cinemalaya 18, bagged the Best Film at Sine Halaga 2, and was recognized by the Society of Filipino Film Critics. They were also finalists for Netflix’s Indiegenius Program in 2023.&#13;
&#13;
The Cinemalaya 20 will run until Aug. 11 at the Ayala Malls Manila Bay, Greenbelt, Trinoma, U.P. Town Center, and Market! Market! cinemas.&#13;
&#13;
For a full list of screening schedules, visit Cultural Center of the Philippines and Cinemalaya official social media pages. Tickets are available at the Ayala Malls Cinema Ticket Booth or go to sureseats.com.</text>
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              <text>Pagulong, Charmie Joy. August 5, 2024.  Cinemalaya 2024 entry ‘Tumandok’ aims to help Ati community reclaim ancestral lands. The Philippine Star, c1.</text>
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                <text>MANILA, Philippines — Through the Cinemalaya Philippine Independent Film Festival 2024 entry “Tumandok,” directors Richard Jeroui Salvadico and Arlie Sweet Sumagaysay are hoping to help the Ati community in Iloilo province in securing their Certificate of Ancestral Domain Title (CADT).</text>
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              <text>Sabores de Visayas serves up its 10th edition showcasing the culinary&#13;
heritage of Western Visayas&#13;
Everything is happening in Iloilo City and it’s not only because it has been declared the Philippines’ first UNESCO Creative City of Gastronomy.&#13;
&#13;
Over the weekend, on July 27, the 10th edition of Sabores de Visayas was held with the usual mix of nationally or internationally renowned Filipino chefs and local chefs, some of them just emerging, in the Western Visayas region. This year’s lineup of guest chefs was stellar—Kalel Chan of the Raintree Restaurant Group, Mikel Zaguirre of Locavore (and many other F&amp;B establishments, including the Bizarre Bar), the very first Filipino Asia’s Best Female Chef (2016) Margarita Forés, Macroasia executive chef at Asian Development Bank Panky Lopez, Patrick Go of Your Local, restaurateur, TV chef, and Manila Bulletin Lifestyle columnist Sandy Daza, and Myke “Tatung” Sarthou of Lore. They worked closely with Iloilo’s chefs, established and emerging, led by Jose Wilson Esperancilla and Maridel Uygongco of Maridel’s, a goto pastry shop in Iloilo City known to have pioneered the guava cake.&#13;
&#13;
Sabores de Visayas is a passion project of Rafael Jardeleza Jr., otherwise known as Chef Tibong, who has been pushing Iloilo’s culture and cuisine for decades. His longtime advocacy in behalf of the culinary wonders of Iloilo was recognized alongside a Nov. 9, 2021 resolution officially declaring the city and the province as “Food Haven of the Philippines.” I’ve written before that if every province or city in the country had somebody like Tibong, we would love the Philippines more because to him doing what he does for Ilonggo food and cooking isn’t a job or a career, isn’t a business or an enterprise, it’s a life. Over the past 15 years, he has brought me only twice to his own restaurant because he would rather take me to discover what the rest of Iloilo had to offer, whether the adobo nga takway or pata ng baka in a soup at St. Martha, my favorite turo turo in the world, or the incredible pancit molo at the private dining establishment Balai Vittorio or salamukan, a flavorful soup of carabao head and innards with secret spices that will make you go oooh.&#13;
&#13;
On World Cities Day, Oct. 31, 2023, Iloilo City was named UNESCO Creative City of Gastronomy, the first in the Philippines to join the UNESCO Creative Cities Network composed then of 350 cities in over 100 countries, each shining in a certain creative field, from crafts and design to film, music, literature, and, in this case, gastronomy, a reward that Tibong, along with all the cooks and chefs and gourmands of Iloilo, plus the LGU, the farmers, fishermen, food producers and entrepreneurs, and the public markets in all the seven districts of the city, is now reaping from what they have consistently, untiringly planted.&#13;
&#13;
Sabores de Visayas, which started way back at Casa Real with only Tibong and two special guests, restaurateur and food writer Angelo Comsti and Margarita Fores, collaborating with a group Tibong calls “kusineros Ilonggo,” has gone a long way and no less than the country’s foremost chefs have participated, including Chele Gonzalez, Francis Lim, Kevin Navoa, Jorge Mendez, Josh Boutwood, and Thirdy Dolatre.&#13;
&#13;
Most of the editions were held in such a majestic location, the Lopez Heritage House, a Beaux-Arts style mansion built in 1938, more popularly referred to as Nelly Garden. This year, however, due to inclement weather, it was held at the ballroom of a hotel unfamiliar to me, not majestic at all, but well it’s the food that counts.&#13;
&#13;
And the food did count, a 50-hands dinner buffet, in fact a degustacion in steroids, highlighting Iloilo’s culinary heritage. Here are some of the highlights. &#13;
Kalel Chan and Chef Kieth Bianson, sous chef at Hotel del Rio, collaborated on the callos, lengua con setas with vino tinto, and paella Negra with chipirones.&#13;
&#13;
Working with Mai Mai Lechon, Margarita Forés came up with Lechon de Cerveza Negra served with Capiz puśo sa buri or rice prepared with tuba, then wrapped in woven buri leaves in which it was steamed. &#13;
&#13;
Mikel Zaguirre and Aimee TiuVillanueva presented a selection of starters and salads, featuring langka, ampalaya with green mango, puso ng saging, salted egg with eggplant, salted egg with shrimp kinilaw, pulpo with dragon fruit and kamote kinilaw, and kinilaw na tanigue with pomelo.&#13;
&#13;
Myke Tatung and Chef Jeff Ticao manned the grill and offered an assortment of what they called “tusoktusok,” featuring barbeques of chicken inasal, kuwaho or beef rectum, atay kag batikulon sang manok or chicken liver and gizzard, shrimp and squid in sinamak sa tuba, buri, and nipa.&#13;
&#13;
Panky Lopez partnered with Breakthrough, the go-to restaurant in Villa Arevalo, to do this year’s roasted karnero or lamb flavored with tanglad, batwan, and libas au jus.&#13;
&#13;
Sandy Daza worked closely with Paul Aligaen of Belmont Hotel Boracay on the ribeye steak and beef tenderloin gravy infused with tabagak or salted fish, tablea tsokolate, and Emperador brandy.&#13;
&#13;
The Richmonde Hotel culinary team, led by executive chef Ariel Castañeda, served up a delectable yet healthy surprise—the vegan isaw, made of inadobo na takway, adobo Ilonggo au jus, dehydrated mushroom chicharon, and dehydrated onion and garlic peels. At this station, there was kalokalo stuffed chicken inasal wings with native sauce, as well as a Sampaguita pizza bar with toppings like sampaguita smoked salmon, sampaguita chorizo Ilonggo, sampaguita carabao’s cheese, roasted sampaguita salt, and sampaguita honey.&#13;
&#13;
 Also among the highlights were OJ Salazar’s jamon with smoked pineapple glaze and the three comfort soups—pancit Molo, lina-ga nga kasudlan sang baka, and linatik with shrimp and water chestnuts— by Karl Hibionada, Raffy Hibionada, and Paul Frias.&#13;
&#13;
As for breads, the basket of baguettes and croissants, kouign amann, focaccia, cinnamon cronut, and many others was a hit, courtesy of Theo’s led by pastry chef Herman Wuthrich Buboy.&#13;
&#13;
And no Iloilo meal is complete, especially if it’s Sabores, without the concoctions of Maridel Uygongco, whose offerings this year included pineapple maja, gulaman kape in Kahlua sauce, pandan fruit salad, and guinataan halo halo, along with her premium desserts of ube trois, mango buttercream, potato praline cake, and iba and walnut meringue. Too bad, the weather has not been kind to the guava trees, which did not bear enough fruits this season. I always look forward to Maridel’s famous guava cake!&#13;
&#13;
The 10th edition of Sabores de Visayas was a gem of a milestone in the still unraveling trove of gustatory and culinary treasures in Iloilo. Too bad, my constant Sabores buddies like Linamnam chef Don Baldosano were not with me, but I am particularly happy to have dragged my friends, Philippine Airlines president Stanley Ng and ultimate foodie and food expert Pepper Teehankee with me this time, who both survived, like I did, the ordeal of eating every 15 minutes across Iloilo City and emerged from the ordeal a lover of Iloilo like me. It was also a great pleasure to reunite with Richmonde Hotel Iloilo GM and Iloilo MICE Alliance head Nat Lim and Iloilo Festivals Foundation Inc. president and Iloilo Convention Center COO Allan Tan, who were instrumental in making this and some of the previous editions of Sabores de Visayas a huge success, along with the Department of Tourism—Region 6, Philippine Airlines, Richmonde Hotel Iloilo, MORE Power, Iloilo Business Park of Megaworld, La Filipina Uy Gongko Group, The Manila Bulletin, and Manila Bulletin Lifestyle.&#13;
&#13;
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                <text>&lt;a href="https://mb.com.ph/2024/7/31/a-50-hands-dinner-in-iloilo-unesco-creative-city-of-gastronomy"&gt;Manila Bulletin&lt;/a&gt;</text>
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                <text>Excerpt from Iloilo, an Episode of January, 1899, and Strained Relations in Manila, Vol. 6: First Series; February 25, 1901&#13;
&#13;
December 13, 1898, General Otis received a petition from certain business men in Iloilo, asking for American protection there. Next day he cabled to Washington telling of the petition, stating that the Spanish authorities were still holding out in Iloilo but would receive American troops, and asking for instructions.&#13;
&#13;
December 23, those instructions arrived. The President directs that you send necessary troops to Iloilo, to pre serve the peace and protect life and property. It is most important that there should be no conﬂict with the insurgents. Be conciliatory, but firm. General Otis at once cabled General Rios, in command of the Spanish troops at Iloilo, that he was sending a large American force. On the 24th, General Otis heard that General Rios intended to leave Iloilo that same day. Efforts were immediately made, says General Otis, to communicate by other means with General Rios before he could evacuate the city. Lieutenant Colonel Potter was sent at once on a coasting vessel to Iloilo.</text>
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“In the past, we only built irrigation dams for the single purpose of watering our agricultural production areas. Then we made flood control projects to stop flooding and invested billions more for bulk water,” Marcos said.&#13;
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He said the project would further boost development of the agriculture sector and the local economy of Western Visayas.&#13;
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Marcos noted that Iloilo City and the neighboring areas would need 86-million liters per day of high dam reservoir water for commercial and industrial bulk water needs.&#13;
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He said the project would provide uninterrupted irrigation water to over 30,000 hectares of service area and 25,000 farmers.&#13;
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“In fact, it is estimated to help increase annual rice production in Region 6 by 160,000 metric tons, which is almost 20 percent of the region’s annual rice requirement,’’ he added.&#13;
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Additionally, Marcos said the project’s 6.6-megawatts of hydroelectric power will improve Panay Island’s electricity supply.&#13;
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He noted that the government was strategically harnessing the country’s water resources while wisely investing limited funds in projects that would bring optimal development to the country.&#13;
&#13;
The Chief Executive expressed his gratitude to the South Korean government for partnering with the Philippine government to make the project possible while commending both the NIA and the workforce behind the project.&#13;
&#13;
Marcos recalled that former Senate President Franklin Drilon, who was at the inauguration, had pointed out to him that he had been involved in the project for 13 years, beginning in the administration of the late President Benigno Aquino III.&#13;
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“I think it is entirely too long that Phase I that was completed in my father’s time, that Phase II should be completed in my time. We should not have waited that long. I think we need to accelerate the process a little bit,” Marcos said.&#13;
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&#13;
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